Saturday, November 16, 2013

On Tap for 2013-2014

On tap for this year for DIG: 

dissertation chapter/essay/creative writing/performance workshops for
graduate students (ongoing, please consider participating. Just send us a
request to workshop something!)

visit from feminist activist and early modern scholar Kim Solga (February)
 
mini-conference of regional scholars such as Koritha Mitchell, Ann Folino
White, Elizabeth Mullenix, Jonathan Chambers, and Claudia Wier (March 29th)

co-sponsorship with the Orientations Working Group of a visit from scholar
of Chinese performance Robert Bickers (April 1-3)

 

Department of Theatre & Drama to offer options for graduate students:

I wanted to also mention that the Department of Theatre & Drama is
committed to offering options for graduate students to take courses in our
department. Some DIG members have found that they can approach individual
professors about adding graduate sections of courses, especially those
upper-level undergraduate courses that have small enrollments. Several of
our combination grad-undergrad courses have been quite successful,
including Postmodernism and Performance, offered last term. Please be sure
to peruse our offerings.

 
Theatre Research Symposia:

Thursday, November 21st, 5:00-6:00 pm, Mbala Nkanga
"Blackness and Black Performers on the Parisian Stage, 1886-1960"

Tuesday, December 3rd, 5:00-6:00 pm, Anita Gonzalez
"Black Sea Acts: New Research in Maritime Performance"

Thursday, January 23rd, 5:00-6:00 pm, E.J. Westlake
"The Last Escape of Billy the Kid: Dramatizing Biography and the Corpse on
Trial"

Thursday, February 13th, 5:00-6:00 pm, Leigh Woods
"Shakespeare and Me."

Lectures will take place on North Campus - 2439 Walgreen Drama Center

Monday, March 18, 2013

Music/Performativity/Politics: Writing at the Intersections

with recent alumni Katherine Steele Brokaw and Jennifer Solheim


Tuesday, March 26, 5:00 pm
3222 Angell Hall


"Tudor Musical Theater: Nicholas Udall's Respublica"
Katherine Steele Brokaw
Assistant Professor  - School of Social Sciences, Humanities and Arts
University of California-Merced

In 1553, the Catholic Queen Mary had just taken the throne in England, and no one know to what extent she would restore the old musical church rites that had been expunged under her Protestant brother (King Edward VI). This same year, Nicholas Udall's political morality play Respublica was performed at court by a group of choirboys. While most critics have seen this play as deliberately avoiding religious controversy, I argue that the play's music obliquely addresses matters of church politics and doctrine. Udall's strategy is one of dissimulation: characters, actors, and playwright are all cloaked in various disguises, making the play's religious messages multivocal and thus able to appeal variously to audience members of mixed religious sympathies. The play thus uses the tools of music and theater to urge the Queen towards compromise on such ecclesiastical matters. While she ultimately ignored this suggestion (thus earning her nickname "Bloody Mary" for her prosecution of Protestants) Respublica reveals the extent to which the first year of her reign offered the possibility of social concord, thereby complicating received notions of this period.




“Beirut Calling: Lebanese Avant Jazz in Global and French Mediterranean Contexts”
Jennifer Solheim
Visiting Scholar, Department of French and Francophone Studies
University of Illinois—Chicago

On the night of July 15-16, 2006, avant jazz trumpeter Mazen Kerbaj set up his recording equipment on the balcony of his apartment in Ras Beirut, Lebanon, and began to record an improvised piece, using the sights and sounds of Israeli bombs as accompaniment. The resulting composition, which can be found on Kerbaj’s blog (kerblog.com), is a recording called “Starry Night.”

In this presentation, I analyze “Starry Night” through two contexts. First, I read the piece itself as an urgent call to the global community to take action against the Israeli bombings of Lebanon in the summer of 2006. Second, I look at the translation of Kerbaj’s blog into French for a print edition published by the Paris-based graphic novel publishers L’Association in 2007. With this second reading, I address the ways that “Starry Night” serves to oppose social assumptions of Arab masculinity as inherently violent.






Sponsored by the Drama Interest Group
a Rackham Interdisciplinary Workshop
based in the Department of English Language and Literature
For information contact EJ Westlake - jewestla@umich.edu

The Drama Interest Group presents a workshop with U of M alumni


Katherine Steele Brokaw
U of California-Merced
and 
Jennifer Solheim
U of Illinois-Chicago

Everyone at every stage of Dissertation writing (and even if you aren't anywhere near it yet) is welcome


Monday, March 25, 2013
1:30 pm
3222 Angell Hall

Please RSVP to EJ Westlake - jewestla@umich.edu
Sponsored by the Drama Interest Group
a Rackham Interdisciplinary Workshop
based in the Department of English Language and Literature

DIG Workshops with Uruguayan dancer Carolina Guerra!

The Drama Interest Group sponsored two afternoon workshops and a morning masterclass with Carolina Guerra. Here are some photos from the sessions: